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Orpheus in the Underworld
A new version by acclaimed writer Snoo Wilson
March 29th -April 2nd 2011
Director: Charlie Hoddell
Musical Director: Dennis Hooker
Choreographer: Dawn
To listen to a recording of this show, please click here.
|
Name:
|
Character |
Voice |
|
Orpheus |
The eponymous hero of the piece. Orpheus has two passions: His violin and his violin students. He is totally fed up with his wife Eurydice who doesn’t appreciate him, or his music. If it wasn’t for what people would think, he’d get a divorce! |
Tenor + dialogue
|
|
Eurydice |
Wilful, independent, vibrant, sexy. Eurydice has no time for Orpheus and his wretched violin playing. She is enjoying an affair with Aristaeus (actually Pluto) in Act 1, seduced by Jupiter in Act 2 and then finally falls for another God. Vocal gymnast. Exceptionally demanding soprano role, but huge fun and a real tour de force. YouTube Natalie Dessay for inspiration! |
Coloratura Soprano + dialogue |
|
Pluto (disguised as Aristeus at beg. Act 1) |
Extremely naughty and carnivorous ruler of Hades. He tricks Eurydice into accompanying him to Hades and goads the Gods and Goddesses of Olympus with his BBQ food. Devilish, arrogant. |
Baritone + dialogue |
|
Public Opinion |
Strong, domineering representation of Public Opinion. Guardian of moral values. Not happy with the adulterous behaviour of either mortals or Gods |
Mezzo/Contralto + dialogue |
|
Cupid |
God of Love; Cheeky, insatiable, flirty! Has a lot to do in this version, especially in Act 2 where ‘he’ arrives with his Love Police to help Jupiter find Eurydice. Usually cast representative of a young boy; so young, or short, or both! |
Soprano (female) + a few lines of dialogue |
|
Venus |
Cupid’s mother, Goddess of Love. Arrives with a hangover having spent the evening making love on earth. Sensuous and an expert on the correct way of kissing. |
Soprano + a few lines of dialogue |
|
Diana |
Goddess of hunting and virginity. |
Soprano + a few lines of dialogue |
|
Dr Morpheus |
God of sleep and the Gods’ psychotherapist. |
Baritone + a few lines of dialogue |
|
Jupiter |
Father of the Gods and a reprobate. Seduces mortals by metamorphosing into different animals. Chastises his children to behave whilst setting an appalling example himself. Desperately tries to appease his wife. Has a fabulous ‘Fly Duet’ where he buzzes his way into Eurydice’s affections, arms, etc, etc! |
Baritone +dialogue |
|
Juno |
Jupiter’s long suffering wife. Totally fed up with his shenanigans. Comedy role* |
Mezzo + dialogue |
|
Mars |
God of War. Loud, thick and inappropriate. Gooses girls in pubs and is surprised when he gets a slap! Thankfully he is more brawn than brain so doesn’t quite understand why they’re upset and just carries on as usual. |
Bass-baritone |
|
John Styx |
A man with a secret and a varied wardrobe! |
Baritone + dialogue |
|
Mercury |
Winged messenger of the gods. Fast. Athletic. |
Tenor + dialogue |
|
Bacchus |
God of wine, partying and generally having a good time. |
|
|
Minerva |
Goddess of Wisdom. Bookish. |
Soprano |
| Chloe | Orpheus' favourite violin pupil. | Hot! Must be able to play violin. |
Chorus of; Councillors (inc. solo Lictor), Townsfolk, Gods, Goddesses, Violin Students, Love Police, Bacchantes, Dwellers of Hades (Hounds and Cats of Hell) and experienced dancers (inc. ballet).
*As this is a comic opera, all the principals should be able to ‘do comedy’!
If you don't know the Orpheus myth what we are going to parody, here is the beautiful Art Malik and wonderful Michael Gambon in a 1980s' version.